a single documentary image can contain a powerful moral argument. two images together create a story. an entire book can create an indictment as well as a promise. “course of the empire” by ken light…
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the course of empire: destruction, 1836 by thomas cole - buy the course of empire: destruction, 1836 paper art print - the new york historical - custom prints and framing
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curator wendy nālani e. ikemoto introduces one of the signature pieces in our collection—artist thomas cole's magnum opus five-painting series.
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thomas cole’s “the course of empire” is so well known that there would seem to be little cause to comment on it except that it is easily misread, as when it is treated by the art historian ross barrett as a reaction to the jacksonian democracy of the period, when there is nothing in the series of fi
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mr. stefansson shows, with characteristic force of expression and wealth of example, that every effort to colonise the frontiers of the familiar world has been retarded by fear bred of ignorance. he regards the popular repute of the arctic regions as a survival of the ancient shrinking of the mediterranean peoples from cold and darkness, intensified by tales of the sufferings of explorers, which he holds to have been partly unnecessary and partly exaggerated. on the other hand, he shows that throughout the whole history of civilisation the centres of political power of the most advanced races have undergone a steady displacement northward from the neighbourhood of the tropic. he holds that this migration of the dominant races is accompanied by an increase in physical and mental vigour, and he would perhaps be inclined to agree with richard chenevix's bold generalisation of ninety years ago, that character is expressible as a mathematical function of latitude. the northward course of empire. by vilhjalmar stefansson. pp. xx + 274 + 8 plates. (london and sydney: g. g. harrap and co. ltd., 1922.) 7s. 6d. net.
course of empire was a five-piece post-punk, tribal industrial, alternative metal group, active between 1988 and 1998.
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course of empire
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the course of empire: destruction is an allegorical oil painting created in 1836 by american painter thomas cole, part of his five-painting series the course of empire.
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i teach the roman empire and middle ages at my classical charter school, and more than once i’ve been asked by individuals (not students so much) if i think “america is going to fall, like rome.” the two civilizations seem linked in our minds, and we filter our fears of civilizational collapse through the lens of rome’s fall (at least, what we think rome’s fall was).
the course of empire series, of which we have 2 in our collection, is a collection of 5 artworks by thomas cole, painted between 1833–1836. the series is a reflection of american feelings at the time of painting, when many were opposed to the idea of the "empire" and believed that pastoralism was the best phase of civi
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the course of empire is a cycle of five paintings by 18th century american painter thomas cole, founder of the hudson river school. the cycle depicts the same landscape at different historical points of development of a fictional empire.
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